The contents of this page are reprinted with permission an article ICON. ATV is an emerging instrument manufacturer founded by Ikutaro Kakehashi, a legend in the world of music instruments. ATV is now launching its new electrorganic percussion instrument known as the aFrame--a unique electronic instrument compatible with traditional percussion instrument playing techniques. The diamond-shaped frame drum is equipped with high-performance built-in piezo-microphones, pressure sensors, and a strong DSP circuit. This allows for compatibility with various playing techniques not supported by conventional electronic percussion instruments, which simply trigger PCM sound sources. Players can use traditional playing techniques such as striking, pressing, friction, and snapping the playing surface for expressive playing and phrasing.
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The contents of this page are reprinted with permission an article ICON. ATV is an emerging instrument manufacturer founded by Ikutaro Kakehashi, a legend in the world of music instruments. ATV is now launching its new electrorganic percussion instrument known as the aFrame--a unique electronic instrument compatible with traditional percussion instrument playing techniques.
The diamond-shaped frame drum is equipped with high-performance built-in piezo-microphones, pressure sensors, and a strong DSP circuit. This allows for compatibility with various playing techniques not supported by conventional electronic percussion instruments, which simply trigger PCM sound sources. Players can use traditional playing techniques such as striking, pressing, friction, and snapping the playing surface for expressive playing and phrasing.
Of course there is no latency because the aFrame is not a mere combination of sound sources and pads. The beautiful appearance--like that of a work of art--is another feature of the aFrame. The frame body, which has a decisive influence on output sound quality, is made of laminated bamboo. The frame is beautifully hand-crafted by experienced and skilled craftsmen of the renowned instrument workshop Fujigen.
Thus, the aFrame is a long-awaited next-generation electronic instrument produced by the legendary Ikutaro Kakehashi through the fusion of an acoustic instrument, DSP technologies, and traditional Japanese craftsmanship. The interviewees were Mr. Ikuo Kakehashi, the aFrame development advisor and percussion performer. Where did the idea of picking sounds up by built-in microphones integrated in the diamond shaped frame and processing the sounds by DSP come from? I know he is a specialist in sound processing; even now he sometimes says that many more things could have been done for synthesizers through original sound processing at the time of analog-digital conversion!
So, Arakawa took charge of further research on this 'something more interesting with sound processing' about two years ago. Then, Mr. Well, I thought Timbre EQ was so interesting that we began a process of trial and error. At first we tested by using simple waveforms such as rectangular and sawtooth waves, but these simple waveforms could be transformed into totally different waveforms by modifying the harmonic makeup.
Next we tested using a human voice as an input source, but the result was really boring! This was because with the human voice the pitch is constantly varying, so equalizing such sounds requires frequencies to follow such variations.
However, the pitch has been changed once an input sound is detected. So, the output sounds were unimpressive. Also, with continuous sounds, such as the human voice, variations made by EQ are necessarily masked and the resultant sounds appear to have changed in frequency characteristics only. I presented the sounds to Mr. These are the exact impulses that a percussion instrument delivers. We tested a drum and pads with the EQ and the resulting sounds were very encouraging.
We saw near-unlimited possibilities to create any sounds from mere pulse tones using Timbre EQ. We could even make realistic harmonic overtones of traditional instruments referencing physical materials. Further, we had metallic sounds with a disordered harmonic composition. That is, the impulse sounds and Timbre EQ had unexpectedly excellent synergy. While being simple, percussion instruments can deliver many kinds of impulses depending on the striking technique.
This is a great characteristic that is very compatible with Timbre EQ. It can produce complex expressions that are not practical with traditional electronic percussion instruments that only trigger PCM sound sources! Existing electronic instruments deliver sounds by triggering PCM sound sources in response to strikes on pads, and this fundamental mechanism has remained virtually unchanged.
For PCM sound sources, there is still room for further improvements in realistic tone expressions corresponding to striking intensity and position, as we did with the aD5; however there are various other playing techniques for percussion instruments that are played with hands which cannot be reproduced effectively by the PCM sound source triggering mechanism.
Therefore, the idea was to create a new electronic instrument that supports a diverse expression of techniques by processing acoustic sounds by DSP; we would like to marry state-of-the-art digital technologies with an organic feeling. I had never experienced this sense of unity and expression with any other electronic instrument. It goes way beyond existing electronic percussion! Of course, there is no latency.
What made you decide on this style? As for the shape, we thought that a round shape like a snare drum would be nice, but it produced less variation in sounds, lacking the expressive capacity.
The sounds produced by it are critical. So we paid a lot of attention to its shape and materials. With a round shape it would never get beyond Bessel function effects, so we made corners, because a shape with corners can deliver the sounds of totally different harmonic composition, depending on where a player strikes it. So what about the size? Portability might be impaired if it is any larger and it could limit playing styles if any smaller. It looks asymmetric with the trimmed corner placed to the right or left, or it can be symmetric if it is held in the middle.
We thought it would be interesting to see different looks depending on how a player holds it. Also, a shape with one edge trimmed perfectly fits into a generic snare drum stand, although this is not what we were going for. Acrylic boards were first used for prototypes, but we concluded it should be more rigid.
Also, I feel it produce low-pitched tones more effectively than other materials. I wanted an instrument, not a gadget. He's just blurting out all of his strange thoughts as usual! The feel of the bamboo underfoot was so nice that it left an impression on me. We naturally decided to contact Fujigen, because it has a long-standing relationship with Ikutaro Kakehashi and has a factory in the same area, Matsumoto.
Above all, their woodcraft techniques are superb. So, Tanaka contacted Fujigen. So I contacted them via their website Laughs.
I explained the concept of aFrame and asked for consultation in person. I want it! Ikutaro Kakehashi was an old friend of the late Yoshimochi Kamijo, the former president, so it was our pleasure to work with ATV again. The laminated bamboo sample was for an automotive part. When I first saw it, I was amazed at its quality feel.
It was far more than I expected. It sounded nice even without powering up, and I thought it is already an instrument as is. It became the only choice for us. We decided to make the aFrame with bamboo. Further, bamboo is constantly available and will never go out-of-stock; this is an important factor in material selection for mass-produced products.
More importantly, bamboo is a symbolic material of traditional Japanese products. This is a traditional Japanese craftsman technique that uses no nails or screws. Of course, we automate various other tasks for volume production, but professional craftsmanship cannot be omitted in finishing if quality products are to be made.
That is what we have learned from our long history of music instrument making. In this factory, we mostly create handmade instruments, including musical boxes, but we wanted to create other kinds of instruments, too. So, it was a wonderful coincidence that ATV contacted us last year. It was our great pleasure to produce such an innovative instrument in Azumino. However, we added a pressure sensor later, as Ikuo requested a muting feature. So we decided to simply add a pressure sensor.
Processing is all handled by the ARM Core, so the configuration is quite simple. Thanks to the extra timbre, it may create characteristic sounds like the snare sounds of a snare drum or the claps of a beatbox. There is a mixer that consolidates the three Timbre EQ units. There is also delay, phaser, flanger, reverb, and wah-wah effectors downstream. Users can edit the parameters with the supplied LCD display and encoder. The Encoder is also positioned perfectly so that users can perform editing with one hand while the other hand is playing.
Users may even change the subjective strike sensing range without changing the tone characteristics by editing the parameters. It is also good to have the three Timbre EQ units not completely segregated into audio bands; partially-overlapped harmonics can create totally different sounds. You can also connect a wireless transmitter for audio output for a cable free experience.
Of course you can use a shoulder strap, too. Very simple. I hope users will enjoy this freedom in their performance. And I hope they will also enjoy the extra freedom of making sounds. We will disclose all the parameters for users to accomplish this. I believe the player's imagination and instincts will create a better performance and sound. For example, it was very pleasing to exchange opinions with professional musicians. I presented prototypes to Ikuo and other performers such as Mr.
Motokazu Shinoda and Mr. Tommy Snyder and I got feedback from them, which we used as the basis to improve the product in development, step by step. This kind of process in the making of a new instrument was a lot of fun. If we had given up when we heard the boring sounds made from the human voice in the early phase, we could have never accomplished this.
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From Japanese taiko drumming and Cuban conga to Afro-Brazilian boogie and Gnawa-hypno rhythms, whatever form it takes, there is serious power in percussion. On the heels of Clap! This masterpiece is already a milestone of world music over the last century. Babatunde created one of the first recordings that popularised African music in the west. It brings me great joy to see that Drums of Passion gets the recognition it deserves, notably by being included into the national recording registry. The percussion lines in this jewel are segmented under my skin like a tattoo, and will stay with me forever.
To cultivate a "new mindful model" for a sustainable future of Drums and the Trees they are made from through education, information, consciousness raising and Tree planting with live music. To build diverse community networks of local "MWDG Branches" that will engage all those who care about the future of wooden musical instruments and environmental sustainability. To preserve and sustain our drums, wooden instruments and our musical traditions for future generations. To honor Women's Drumming in celebrations worldwide. Affirming that as women drummers we hold sacred our relationship to Trees and Drums.
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It is shaken by a handle and usually played as part of a pair. Rattles made from gourds Lagenaria are being shaken by the natural grip, while the round calabash Crescentia fruits are fitted to a handle. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the Goaraz. Every man had his maraca.
John Cage. Premiered in Detroit, Michigan, March 8, While on tour in Arizona with the Merce Cunningham Dance Company in , one of the dancers, Charles Moulton, brought a dried cactus to Cage, placed it near his ear, and plucked its spines. This inspired Cage to use cacti as musical instruments in pieces like Child of Tree and Branches. The score consists solely of performance instructions as to how to select 10 instruments via I Ching chance operations. All instruments should be made of plant matter, or be themselves plant materials e. One of the instruments should be a pod rattle from a Poinciana tree, which grow in Mexico. Cage instructs: "Using a stopwatch, the soloist improvises clarifying the time structure by means of the instruments. This improvisation is the performance. Twitter Facebook MySpace.
The Adams repair department has highly skilled craftsmen, repairing percussion, wood- and brass instruments. Also for special modifications. Two big retail music shops in the Netherlands and Belgium. The absolute specialist in percussion and brass instruments. The number of instruments we stock is not only extensive, but is also particularly selected for the needs of the European market. Musicians have always been a fundamental part of the company. Not just as our customers. You have always been the trigger, motivator and partner in innovation. Solution and flexibility are definitely keywords in our philosophy. In both, our factories and shops, we will do everything reasonable we can, to fulfil your special requests.
На мгновение она словно приросла к месту, не зная, куда бежать и что делать. Интуиция подсказывала ей спасаться бегством, но у нее не было пароля от двери лифта. Сердце говорило ей, что она должна помочь Стратмору, но. Повернувшись в полном отчаянии, она ожидала услышать шум смертельной борьбы на полу, но все было тихо.
Это не смешно, Чед. Заместитель директора только что солгал директорской канцелярии. Я хочу знать .
Тогда в другой. - Беккер улыбнулся и поднял коробку.
Разница между 238 и 235 - три. Все подняли головы. - Три! - крикнула Сьюзан, перекрывая оглушающую какофонию сирен и чьих-то голосов.
Она показала на экран.